Assignment 1: Inappropriately Dressed I used to go dancing a lot, especially swing dancing and latin dancing. A group of friends and I would meet every Tuesday at Michael's restaurant and bar for their swing & shag night. They also played a lot of chachas and we'd show off on their small dance floor, to the amusement of the barflies. We'd leave when the bar filled up and the drunks crowded onto the dance floor, hump dancing while holding beer bottles and cigarettes. My uniform was a sleeveless top (dancing is HOT) and a short flared skirt and dance briefs over suntan tights. Special suede-soled high heeled strappy sandals completed the outfit. My speciality was turns and pivots. I could change direction fast enough to make my skirt stand straight out. It was fun. Most of the bar patrons wore slacks or jeans, but we dancers wore our exhibitionist uniforms. We'd troop in, change to our dance shoes, and take over the floor. I knew my legs were my best feature, so I did lots of spins. The ladies with impressive cleavage did lots of shimmies, dips, and body rolls. Being around the other dancers so much, I didn't realize how different our outfits were. We all wore them to dance lessons, and we wore them to the weekly Friday night parties. I'd look around and see many others dressed the same as me. I never thought much about it until I ventured out to other dance events by myself. The first conflict came when I went to Fairbanks, a coffee bar housed in an old bank, for their swing night. It was run by the Swing Kids, a mixed age group, heavy on college students. They wore forties outfits, retro skirts and dresses (a bit longer than mine) with flat oxford or spectator style shoes. They wore shorts or granny panty bloomers under their skirts, and tended to dress bare legged. A chubby college girl in full forties regalia was teaching a group lindy class. She singled me and my strappy heels out as an example of the wrong clothes to wear for dancing. "You have to wear flats", she said, "you can't possibly dance in heels like that." Funny, the ballroom folks say the opposite. I could see her glaring at my skirt too--it was shorter than hers, and my legs were better looking--but she was smart enough not to say anything about it. I stayed, I danced. I had no problem doing her steps in my heels--after all, I'd done more complicated steps in ballroom. But I always felt uncomfortable every time I went back. I could feel her disapproval of my skirt and my shoes, and her friends seemed to turn up their noses too. But the Fairbanks dances were late night on Fridays, after the studio dance party, so I always wore my ballroom uniform. In time I got more of my ballroom cronies to join me at the Fairbanks concerts after the studio parties. Of course all of them wore short flippy skirts and heels. We never became the majority, but we became accepted like an ethnic group. When a latin dance night was started, it was our outfits that won out. You just can't dance latin in flats. My next foray was to the swing & shag club's shag night at the Holiday Inn. Some of them came to the Michael's dances, so I expected there to be people there that I knew. What I didn't expect was how much my outfit stood out among theirs without my ballroom buddies. All the ladies wore slacks and flat shoes. No exceptions. I'd known that some of them dressed that way at Michael's but had assumed it was because they'd come from work with no time to change. The ladies outnumbered the men and were very protective and unwelcoming of new women. The three of us who were new that night were all given the cold shoulder treatment. But in my short skirt and heels, I was treated the worst. The guy teaching the shag basics singled me out for "wiggling my hips too much". He said "ladies aren't supposed to be noticed, this is a dance where the MAN shows off." Ballroom is the opposite, the man is supposed to show off the woman. I guess I must be a show off--I decided shag was not for me. But if I had gone back, I'd have followed their dress code. I'm older now--my feet hurt and my figure has changed. So now I dance in slacks and flats, poetic justice I guess. c. 2008, B. Riley